Getting Started

Every actor that starts training in the studio, begins with a short, intense, one-on-one process directly with Paul. This allows both Paul and the actor to assess if the process is a good mutual fit. There is no benefit to the actor to pay for on-going training unless the benefit of the work is evident. 

​

Paul focuses on each actor’s instrument, and focuses on the connection between the imagination and the physical experience. By providing high level, effective techniques, the actor then can start immediately adding real tools to their craft.